Barbara Bonney - Ilha Fairest, Decca - 2001

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Mudarra: Libro Tercero de Musica - Naive (Harmonia Mundi), 2000

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Sting - Songs From The Labyrinth - Deutsche Grammophon

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John Dowland: In Darkness Let Me Dwell - 2000, Ecm Import

John Dowland: In Darkness Let Me Dwell - 2000, Ecm Import

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1. Weep you no more, sad fountains, for 4 voices & lute (Third Book of Songs)
   
   
2. In darkness let me dwell, for voice, lute & bass viol (A Pilgrimes Solace)
   
   
3. Lachrimae verae, for 5 viols/violins & lute (from "Lachrimae")
   
   
4. From silent night, true register of moans, for voice, trumpet, bass viols & lute (A Pilgrimes Solace)
   
   
5. Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs)
   
   
6. The lowest trees have tops, for 4 voices & lute (Third Book of Songs)
   
   
7. Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
   
   
8. Come, heavy sleep, for 4 voices & lute (First Book of Songs)
   
   
9. Fine knacks for ladies, for 4 voices & lute (Second Book of Songs)
   
   
10. Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
    
    
11. Now, O now I needs must part, for 4 voices & lute (First Book of Songs)
    
    
12. Lachrimae tristes, for 5 viols/violins & lute (from "Lachrimae")
    
    
13. Go crystal tears, for 4 voices & lute (First Book of Songs)
    
    
14. Lachrimae amantis, for 5 viols/violins & lute (from "Lachrimae")

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Andreas Scholl - English Folksongs & Lute Songs, 1996 - Harmonia Mundi Fr.

Andreas Scholl - English Folksongs & Lute Songs, 1996 - Harmonia Mundi Fr.
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Composer: John Dowland, Thomas Campion
Performer: Andreas Scholl, Andreas Martin
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01- Behold a wonder here, for voice, lute & bass viol (Third Book of Songs)
by John Dowland
02- Me, me, and none but me, for 4 voices & lute (Third Book of Songs)
by John Dowland
03- All ye whom love or fortune hath betrayed (First Book of Songs), for 4 voices & lute
by John Dowland
04- The Lady Russell's Pavan, for lute, P 17
by John Dowland
05- The Three Ravens, folk song
by English Traditional
06- O Waly, Waly, folk song
by English Traditional
07- King Henry, folk song
by English Anonymous
08- Kemp's Gigue
by English Anonymous
09- My sweetest Lesbia
by Thomas Campion
10- I Care Not for These Ladies for voice, lute & bass viol
by Thomas Campion
11- My Love Hath Vowed Hee Will Forsake Mee for voice, lute & bass viol
by Thomas Campion
12- I saw my lady weep, for 2 voices & lute (Second Book of Song)
by John Dowland
13- Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
by John Dowland
14- Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
by John Dowland
15- Say, Love if ever thou didst find, for 4 voices & lute (Third Book of Songs)
by John Dowland
16- Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
by John Dowland
17- Go from my window, song arranged for lute, P 64
by John Dowland
18- Go from my window, song arranged for lute, P 64
by John Dowland
19- I Will Give My Love an Apple, folk song
by British Isles Traditional
20- Barbara Allen, folk song
by Scottish Traditional
21- Lord Rendal, folk song
by English Anonymous
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Tamanho: Parte I - 43,4MB; Parte II - 29,4MB
Formato: Mp3
Qualidade: 128Kbps
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Heavenly Love, Earthly Joy - Julian Bream & Sir Peter Pears

Heavenly Love, Earthly Joy - Julian Bream & Sir Peter Pears, 2007 - RCA
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Composer: John Dowland (1563-1626), Thomas Ford (d.1648), Thomas Morley (1557-c.1603), Philip Rosseter (1567-1623)
Performer: Julian Bream, Peter Pears
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01- Absence
by Thomas Morley
02- What Then Is Love?
by Philip Rosseter
03- I Saw My Lady Weep
by John Dowland
04- If She Forsake Me
by Philip Rosseter
05- Dear, If You Change
by John Dowland
06- Come, Phyllis
by Thomas Ford
07- Stay, Time
by John Dowland
08- It Was a Lover and His Lass
by Thomas Morley
09- Weep You No More
by John Dowland
10- When Laura Smiles
by Philip Rosseter
11- Fair, Sweet, Cruel
by Thomas Ford
12- Shall I Sue?
by John Dowland
13- Sweet, Stay Awhile
by John Dowland
14- Who Is It?
by Thomas Morley
15- Can She Excuse?
by John Dowland
16- Come, Heavy Sleep
by John Dowland
17- Wilt Thou Unkind, Thus Leave Me?
by John Dowland
18- Sorrow, Stay
by John Dowland
19- The Lowest Trees Have Tops
by John Dowland
20- Time's Eldest Son, Old Age
by John Dowland
21- In Darkness Let Me Dwell
by John Dowland
22- Say, Love, If Ever Thou Did'st Find
by John Dowland
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Tamanho: Parte I - 33,7MB; Parte II - 37,8Mb
Formato: Mp3
Qualidade: 192Kbps
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The English Orpheus - John Dowland

The English Orpheus - John Dowland, 1992 - EMI Records
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Composer: John Dowland (1563-1626)
Performer: Emma Kirkby (singer) and Anthony Rooley (lute)
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1. Awake, Sweet Love
2. Can She Excuse My Wrongs?
3. All Ye Whom Love
4. Dear, If You Change
5. Semper Dowland Semper Dolens
6. Mister Dowland's Midnight
7. Sorrow, Stay!
8. Die Not Before Thy Day
9. Mourn! Mourn!
10. Woeful Heart
11. Now Cease, My Wandering Eyes
12. Behold A Wonder Here
13. The Lowest Trees
14. Me, Me, And None But Me
15. Farewell, Too Fair
16. Earl Of Derby His Galliard
17. Mistress Winter's Jump
18. Stay, Time
19. Shall I Strive
20. Thou Mighty God
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Tamanho: Parte I - 32,6MB; Parte II - 31,7MB; Parte III - 43,6MB
Formato: Mp3
Qualidade: 256Kbps
--------------------------------------------------------
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Canciones Españolas / Berganza, Yepes, Lavilla, 1992 - Deutsche Grammophon

Canciones Españolas / Berganza, Yepes, Lavilla

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Composer: Alfons X (El Sabio), Miguel de Fuenllana, Anonymous, Alonso de Mudarra, Francesco de la Torre, Enríquez de Valderrábano, Luis de Milan, Juan de Triana, Juan del Encina, Juan Vasquez, Luis de Narváez, Juan de Anchieta, Pablo Esteve y Grimau, Enrique Granados, Jesus Guridi, Manuel de Falla, Federico Garcia Lorca, Joaquin Turina, Xavier Montsalvatge, Federico García Lorca

Performer: Teresa Berganza, Narciso Yepes, Felix Lavilla

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01- Cantigas de Santa María: no 10, Rosa de Rosas

by Alfons X (El Sabio)

Performer: Teresa Berganza (Mezzo Soprano)

Period: Medieval

Written: 13th Century; Spain

02- Pérdida de Antequera

by Miguel de Fuenllana

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

03- Dindirindín

by Anonymous
Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1600; Spain

04- Tres libros de musica en cifras: Triste estava el rey David
by Alonso de Mudarra

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1546; Spain

05- Nuevas te traygo, carillo

by Anonymous

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

06- Los hombres con gran plazer

by Anonymous

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: 15th Century; Spain

07- Dime, triste corazón

by Francesco de la Torre

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

08- De dònde venis, amore?

by Enríquez de Valderrábano

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: 16th Century; Spain

09- Libro de música de vihuela de mano intitulado El maestro: Toda mi vida hos amé

by Luis de Milan

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1536; Valencia, Spain

10- Dínos, madre del donsel

by Juan de Triana

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

11- Tres libros de musica en cifras: Si me llaman a mi

by Alonso de Mudarra

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1546; Spain

12- Romerico, tu que vienes

by Juan del Encina

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: Spain

13- Vos me matastes

by Juan Vasquez

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: 16th Century; Spain

14- Libro de música de vihuela de mano intitulado El maestro: Aquel caballero, madre

by Luis de Milan

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1536; Valencia, Spain

15- Tres libros de musica en cifras: Claros y frescos rios
by Alonso de Mudarra

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1546; Spain

16- Tres libros de musica en cifras: Isabel, perdiste la tu faxa
by Alonso de Mudarra

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1546; Spain

17- Con que la lavare?

by Luis de Narváez

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: by 1538; Spain

18- En la fuente del rose

by Juan Vasquez

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: Renaissance

Written: 16th Century; Spain

19- Santa María
by Alfons X (El Sabio)

Performer: Teresa Berganza (Mezzo Soprano)

Period: Medieval

20- Con amores, la mi madre
by Juan de Anchieta

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: Renaissance

Written: Spain

21- Pámpano verde

by Francesco de la Torre

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: Renaissance

Written: Spain

22- Alma sintamos

by Pablo Esteve y Grimau

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: Classical

Written: Spain

Colección de tonadillas

by Enrique Granados

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: Romantic

Written: Spain

23- No 3a, ¡Oh! muerte cruel

24- No 3b, ¡Ay! majo de mi vida

25- No 3c, De aquel majo amante

26- No 4, El majo discreto

27- No 11, El tra la la y el punteado

28- No 6, El majo timido

6 Canciones castellanas

by Jesus Guridi

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: 20th Century

Written: Spain

29- No 3, Llámale con el pañuelo

30- No 4, No quiero tus avellanas

31- No 5, Cómo quieres que a divine

7 Canciones populares españolas

by Manuel de Falla

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: 20th Century

Written: 1914-1915; Spain

32- El paño moruno

33- Seguidilla mu

34- Asturiana

35- Jota

36- Nana

37- Canción

38- Polo

13 Canciónes españolas antiguas

by Federico Garcia Lorca

Performer: Narciso Yepes (Guitar), Teresa Berganza (Mezzo Soprano)

Period: 20th Century

Written: Spain

39- Anda, jaleo

40- Los cuatro muleros

41- Las tres hojas

42- Los mozos de Monleon

43- Las morillas de Jaen

44- Sevillanas del Siglo XVIII

45- El cafe de Chinitas

46- Nana de Sevilla

47- Los pel

48- Zorongo

49- Romance de Don Boyso

50- Los reyes de la baraja

51- La Tarara

52- Saeta en forma de Salve a la Virgen de la Esperanza, Op. 60

by Joaquin Turina

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: 20th Century

Written: 1930; Spain

53- El fantasma

by Joaquin Turina

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: 20th Century

Written: Spain

54- Poema en forma de canciones, Op. 19: no 3, Cantares
by Joaquin Turina

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: 20th Century

Written: 1923; Spain

5 Canciones negras
by Xavier Montsalvatge

Performer: Teresa Berganza (Mezzo Soprano), Felix Lavilla (Piano)

Period: 20th Century

Written: 1945; Spain

55- Cuba dentro de un piano

56- Punto e Habanera

57- Chévere

58- Canción de cuna para dormir a u

59- Canto negro

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Tamanho: Parte I - 39,4MB; Parte II - 47,9MB; Parte III - 37,5MB; Parte IV - 37,3MB; Parte V - 38MB; Parte VI - 31,6MB; Parte VII - 38,7MB

Formato: Mp3

Qualidade: 256 Kbps

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Julian Bream Consort, Vol. 6

Mais um álbum do Julian Bream, mais uma vez deixando o violão de lado e tomando no colo seu alaúde, que pelo jeito é seu instrumento preferido. Dessa vez, além de executar obras dos grandes compositores do renascimento inglês (me corrijam se estiver errado quanto ao período em que os classifiquei), junto com seu "Consort" executa também o célebre Concerto em D pra Alaúde e cordas de Vivaldi (e, permitam-me dizer, a melhor gravação que eu já ouvi). Abre espaço também pra Suite Sinfônica pra tenor (ou oboé) e orquestra de Benjamin Britten: uma obra do compositor inglês contemporâneo que Bream mais admira, talvez por ele também ter um apêgo especial à música inglesa do sec XVI. 

Julian Bream Consort, Vol. 6, 1994 - RCA
1- Alman (Monsieur's Alman), for keyboard in C major, MB 44
by William Byrd
2- Work(s) Pavin
by William Byrd
3- My Lord of Oxenford's Mask (From Thomas Morley's "The First Booke of Consort Lessons")
by William Byrd
4- Flat Pavan for 2 lutes
by John [composer] Johnson
5- Batchelar's Delight
by Richard Alison
6- Kemp's Gigue
by English Anonymous
7- Phillips Pavan
by Peter Philips
8- O Mistress Mine
by Peter Philips
9- La rondinella, fantasia for instrumental consort
by Thomas Morley
10- Joyne Hands, for consort of instruments (from "The First Booke of Consort Lessons")
by Thomas Morley
11- Lachrimae Pavan, for keyboard or lute (from "Lachrimae")
by John Dowland
12- Work(s) Fantasie
by John Dowland
13- De la Tromba Pavan for consort
by Richard Alison
14- It Fell on a Sommers Daie for voice, lute & bass viol
by Thomas Campion
15- Dowlands Adew for Master Cromwell, for viol & lute, P 13
by John Dowland
16- The Frog Galliard, for lute, P 23
by John Dowland
17- La Rosignol
by Anonymous
18- Tarleton's Resurrection, for lute, P 59
by John Dowland
19- Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
by John Dowland
20- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: March
by Benjamin Britten
21- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: Corante
by Benjamin Britten
22- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: Pavan
by Benjamin Britten
23- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: Morris Dance
by Benjamin Britten
24- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: Galliard
by Benjamin Britten
25- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: La Volta
by Benjamin Britten
26- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a Courtly Dances: March (Finale)
by Benjamin Britten
27- Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93, Allegro; Largo; Allegro;
by Antonio Vivaldi

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Fantasies Ayres and Dances - The Julian Bream Consort

Conheci Julian Bream quando assistí um vídeo onde ele tocava e regia ao mesmo tempo o Concerto de Vivaldi em D, para Alaúde e Orquestra. Apesar da minha pouca experiência musical, na época, e de ele estar tocando um alaúde e não um violão, pouco tempo depois reconheci que eu estava diante de uma das maiores autoridades no que diz respeito a execução do repertório violonístico do renascimento e barroco. Quem quizer é só conferir.

Fantasies Ayres and Dances - The Julian Bream Consort - 1990 - RCA

With James Tyler, Nancy Hadden, Catherine Mackintosh, Robert Tear, Julian Bream Consort, Julian Bream, Robert Spencer, Jane Ryan

1- Joyne Hands, for consort of instruments (from "The First Booke of Consort Lessons")
Composed by Thomas Morley
2- Phillips Pavan
Composed by Peter Philips
3- The Frog Galliard, for lute, P 23
Composed by John Dowland
4- The The Jew's Dance, for lute & recorder (from Thomas Morley's "The First Booke of Consort Lessons")
Composed by Richard Nicholson
5- Work(s) Fantasy
Composed by William Byrd
6- Batchelar's Delight
Composed by Richard Alison
7- Sacred End Pavan, for lute
Composed by Thomas Morley
8- Work(s) Unidentified Galliard
Composed by Thomas Morley
9- De la Tromba Pavan for consort
Composed by Richard Alison
10- Thirsis and Milla, song in 2 sections for voice with lute & bass viol
Composed by Thomas Morley
11- Alison's Knell
Composed by Richard Alison
12- Grimstock
Composed by English Traditional
13- Goe from My Window for consort
Composed by Richard Alison
14- Go, nightly cares, the enemy to rest, for voice, trumpet, bass viols & lute (A Pilgrimes Solace)
Composed by John Dowland
15- Daniells Almayne for consort
Composed by Daniel Bacheler
16- In Nomine, pavan, for treble viol, flute, bass viol, cittern, pandora & lute
Composed by Nicholas Strogers
17- Comagain ("Come again") (after John Dowland)
Composed by Jacob van Eyck
18- Lachrimae Pavan, for keyboard or lute (from "Lachrimae")
Composed by John Dowland
19- Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
Composed by John Dowland

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Fantasies Ayres and Dances
Julian Bream

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